Tutorial: Bow Tie Blocks

I've loved Bow Tie Block quilts since I was a tiny child.  In fact, in the 80's and early 90's I made quite a few.  There are so many different ways to set them and, thus, dozens of different quilts that can be made using them.  Because in those days my only computer was at work and because we had barely begun to think of things like personal digital cameras, I have no photos to post of those early quilts.  However, at the end of this post I'll share some of those early blocks that were template-cut and hand-pieced.

These instructions are for a "modern" version that can be rotary cut. These blocks are fast to cut and piece and are just as delightful in batiks and other fabrics with more modern designs.  We are so fortunate to have the countless lines of fabric from more manufacturers than we ever dreamed of decades ago.

For the purposes of this tutorial, the photos that accompany each step are shown below the text for that step.

For demonstration purposes, we'll make a six-inch block.  I've made quilts with every size block from three inches to nine inches.
 Remember that you can right-click on any photo in the blog and open it in a new tab or new window to see the photo in a larger size and more detail.

If you are making blocks for the Treadle On Bow Tie Block Exchange, you will be following these directions to make the blocks (6-inch in finished quilt, 6.5 inches when you send them to the hostess).

For one block, select two contrasting fabrics, one for background, one for the bow tie.

Cut two 3.5 inch squares from each fabric, and from the bow tie fabric cut two 2-inch squares.

Mark a diagonal line across the back of the 2-inch squares.

Align each small square with a corner of a background square.

Stitch on the diagonal line.  Because we aim for accuracy, it helps to stitch on the edge of the drawn line closest to the needle or outer corner of the small square.  This gives us the well-known "scant 1/4-inch seam allowance" that aids in our accuracy since thread and stitches do take up a miniscule amount of space in the block.

Press the seams  to set the seams and make the next step more accurate.

Then bring the inner corner of the small square toward the outer corner and press so it is right side up. We know our seam was accurate if the cut edges of all three layers of fabric align at this point.

If you are participating in the TOBE Bow Tie exchange headed by Cheryl Pinkerton due 9/3/13, at this point you will need to trim off the two bottom layers under the print, leaving a 1/4-inch seam allowance.  Then press these little blocks again. 

Lay each pieced patch on your table so that the new triangle is at the upper right corner.  Lay the print square above it.

Fold the pieced squares up, aligning them with the print patches.

Seam them together. Press the seams while closed to set them.
With the print square on top, open the seam and press it.  This keeps the pressed seam allowance turned toward the print. This works well if the bowtie is darker than the background.  If we were using a background that was darker than the bowties, we would press the seam toward the background.

Lay the half blocks on the table aligning them as they will look in the completed block.

Align the seams of each half-block so that they butt up against each other.  This helps us achieve a perfect match when they are seamed together.

Sew them together and press to set to set the seam.

Before pressing the seam open, I clip the seam allowance with very sharp small scissors right where those two seams come together. Then when I press the block, I can turn the seams toward the print.

 All the extra care we took at each step, helps us have well-aligned seam junctions in the completed block.

Traditional Pieced Bow Tie Blocks from Past Decades

The traditional way to piece these blocks was with four uneven trapezoids and a small square to represent the knot.

 Because these pieces resulted in set-in corners, it was almost always easier to hand-piece these blocks. However, if the blocks were much larger, I did machine stitch them, just being careful not to stitch into the seam allowances.

For that traditional method, I pieced a bow to opposite sides of the square, being certain to start and stop my stitching at the seam allowances.  Then I pieced in the two background pieces. In this old block, the lines I drew around the templates are visible, as are the points at which I stopped and stitched a little anchoring stitch or tied a knot where the seams abutted and then continued stitching to the next intersection.

As you might surmise, the traditional method was a lot fussier.  When I quilt the modern version, I use lines of quilting to box in the center "knot", so the final look is very similar to the traditional look.

Here are a few more examples of those 1980's blocks now gathered together with other orphan-blocks and pieced into a sampler quilt for my daughter.

Quiltmakers used many different settings for these blocks, and some even used much smaller center squares.  I find this proportion with a center knot half the measurement of the longer sides of the bows most pleasing, so that is what I've used most often. (It's what my grandma used back in the early 20th century too.)

To save you from having to do the math, here are some oft-used block sizes and the  sizes to cut the squares for the "modern" version. We cut four larger squares (two for tie, two for background) and two smaller squares (for tie) for each block.  If repeating fabrics in a quilt, we can start with strips cut to these sizes and then sub-cut them into squares.  (Saves a lot more time.)

Nine inch block: 5 inch and 2.75 inch
Eight inch block: 4.5 inch and 2.5 inch
Seven inch block: 4 inch and 2.25 inch
Six inch block: 3.5 inch and 2 inch
Five inch block: 3 inch and 1.75 inch
Four inch block: 2.5 inch and 1.5 inch
Three inch block: 2 inch and 1.25 inch

Back in the 1990's I made three inch blocks using this modern method (for a quilt for Lydia Devereaux when she was not yet born).  It would have been much too fussy to do the traditional method, but this modern method made it a cinch--and gave me plenty of time to focus on my favorite part, the quilting....Wait, when it comes to bow tie quilts, every step is my favorite part.

If you try these, I'd love to see pictures!

Here is a picture of one of my early bow tie quilts (from the 1980s--complete with fabrics that did not retain their colors because the fabric companies insisted 20 hours of light fastness was more than enough).

Happy quiltmaking......

P.S.:  I just learned that Baby Bows is featured in the July/Aug 2011 issue of McCall's Quilting.  For the traditional pattern in a three inch block, the pattern be downloaded as a .pdf here: http://www.mccallsquilting.com/content_downloads/Baby_Bows_Web_Bonus.pdf
These would make a great carry-along project.  (In fact, that's how I completed many, back in the 80's.)

P. P.  S.: 7/21/2011 I came across the first bow tie quilt I made back in the 80's - 4 inch blocks- and was going to photograph it and add it to this post.  Instead, we had a thunderstorm--that means lightning and thunder and very little moisture--and the power went off, etc.  But I just happened to come across three other "modern" Bow Tie's.  Here are links to other people's blogposts:
http://www.redpepperquilts.com/2011/07/bow-tie-quilt.html
http://fussycut.blogspot.com/2011/05/finished-habitat-bowtie-quilt.html
http://twinfibers.blogspot.com/2011/07/vanilla-blooms-quilt-top.html

Enjoy......

Arrowhead for Harriet

My dear friend Harriet asked me if I would piece this block so we could compare results.

This is from a quilt by Anita Grossman Solomon (website: www.makeitsimpler.com) and appeared in the November/December 2010 Quiltmaker Magazine.

I began with 9 inch squares that I pressed right sides together with spray starch.  Actually, I began with Mary Ellen's Best Press, which I dearly love, but I knew I'd need heavier starching to control the bias edges in the finished block, so I got out the heavy duty spray starch (must remember to get more next time I'm out).  Once the fabrics were aligned and heavily starched, I trimmed the unit to 8" x 8". I followed the directions in the magazine for sewing the blocks together, subcutting them with specific measurements, and piecing the units back together.  Once resewn, the block looked like this:

 You can see that at this point the areas with the triangles did not extend as far as the rest of the block.

 The instructions say to trim the block to 9 x 9 (for a finished block of 8.5 inches).  There were only tiny slivers to trim from the triangle areas.  Had I not been really careful to make an accurate 1/4" seam, I could have been in trouble.

Here's the trimmed block.

I love the clever way Anita devised for making this block so quickly.  She's very creative.

From my experience I'd say it's extremely important to be nearly perfectly accurate with cuts, seam allowances, and trimming.  Ironing the seam allowances open is very helpful for aligning seams (and is something I don't normally do).
I think heavy starch will prove invaluable when it's time to set the blocks together since all the edges are bias. (It's possible I could have kept applying Best Press, but at $7.95 for a little bottle, I tend to use in conservatively.)
People who can handle all the above well will find this block incredibly fast to make.  I'm guessing it would take more time to choose and cut the original 9" blocks than it would to sew them.  In other words, piecing these blocks could be a great project to squeeze little bits of time or a day of marathon sewing.
If a group of quiltmakers were very consistent in their piecing, it would be fun to get together and make blocks like these for prayer quilts.

I'm going to mail this block to Harriet so she can use it if she'd like. I'd be interested in hearing from other people who've tried it to see if their impressions were the same as mine.

Happy quilting....

Music Quilt

Pieced over the course of the last year.
This one is a music quilt for my daughter.
Still needs the binding, however.

With perhaps one exception, this was quilted with a variety of Glide threads. See at  BobbinCentral.com
I love the shine these threads give the quilting, and as we all know, the quilting is my favorite part.
I am so very glad to have another quilt to show!  (And, I'm linking to Sarah's Whoop!  Whoop! and Sew Many Ways/Sew Darn Crafty.)

A Quilt at Last!

I finally have a quilt!  My friend Bobbie pieced this a couple of years ago.  It is now complete except for the binding, which she will apply.

I learned a lot of important lessons, in case I ever decide to either make or quilt another log cabin--things such as measure every piece and cut it accurately.  Eschew the various and sundry donated fabrics, even from well intentioned friends.  Spraying starch over the entire quilt top before layering might have helped manage some of the friendly waves.  But it's done, and it is beautiful.

And then there's the sweet stuff, the assorted relatives. (So, how come just *my* legs look like they belong to a cartoon character!)

For what it's worth, I dearly miss having a nearly constant, convenient access to the Internet.

The Good, the Bad, the Ugly--and a Quilt

In reverse order:
"What mountains?"

Smoke from the huge, sad Arizona fires has nearly hidden our mountains.  We attended a concert in Albuquerque last night and walked out into choking smoke that had severely limited visibility and breathing.  Scary.  The smoke was kept low by the inversion, so I was able to sleep with our windows open (for which I am grateful).  But for the last week our sunshine has been severely diluted by the smoke.

More ugly:
A yard invaded by tumbleweeds.

The bad--slowly being transformed to good:

A week in pictures of our front yard tree.
And today:

Great progress, although quite a bit to go yet.
The good:

A few bluebells, at last.  (I've learned these *must* be deadheaded.  I'd be quite happy if I had a lot more in my yard!

More good:

Replaced the wreath above the fireplace with some summery giants.
Sweet Teen is thrilled to have her academic letter.

Yes, we ordered the very, very expensive jacket!

And I got a border on the music quilt (a project from last summer), got the backing pieced, and quilt layered and basted for quilting.  Changed the border a bit from my earlier plan.
Also managed to layer and baste the violet star quilt for my nephew.

I'm nearly overwhelmed with things that need to be done (and quickly), but know it's going to be hard to fit them in next week with 80 or more miles per day for Sweet Teen's music and drama "camp". The price of gas means I'm going to have to stay there while she participates because 160 miles per day will be unmanageable.--Maybe I can catch some morning "girl time" with friends who are out of school too--of course, I can also take along knitting or other handwork, and hope the smoke clears out so we can all breathe safely.

Happy quiltmaking!

Sunday Fun

Our church youth group had an outing yesterday.

 Sweet Teen said she had a great time!

Blogging as well as nearly everything except the necessities of day to day living and coping went by the wayside as the school year wound down. I have two days of ABA training this week, a long commute but shorter than the commute to school was, and will then be able to concentrate on summer and do some relaxing.

I accomplished very little this weekend--de-stressing, I guess. I'm hoping to re-engage in some creativity really soon.