Judy's Garden Shop

Here's Judy's Garden Path, minus binding, because I didn't get any from her:

Is this a darling quilt or what!  It's what I quilted on our MLK holiday.  It's another Victory Quilt by Judy, who is a master at mixing fabrics.  There are fabrics in this quilt that span well over 20 years, and she has brought them together to create a most pleasing whole.

She created one appliqued flower block:

Next are the threads I used to quilt:

The large cones in the back are Fil-Tec Glide, my favorite thread, because of the way it really does glide through the needle and the quilt.  The variegated threads are from Thread-Art, which always gives me such fast service that it takes my breath away!  Both types of thread are beautiful, lustrous size 40 polyester, originally designed for machine embroidery; however, I like the quilting to shine too.

Here are some photos of some of the sections of the quilt showing Judy's superb fabric choices and details of the quilting:

 

The quilting design in the section above is one my friend Bobbie and I found on an Oklahoma Triple Irish Chain made in 1903. I've always thought of it as an interpretation of a cross-section of an elongated walnut; and I've altered it even more to make it fit the space and work for machine quilting.

And here's one more look at a slightly larger section:

I tried a new quilting design in the border--knowing it wouldn't show up in the busy, busy print, but wanting to expand my repertoire.  I thought I'd take a picture of the back, but since that print was so busy, the stitches didn't show up there either.

Our spring will arrive.  We just need to hang on for a couple more months!

Mary Jane's Farm

I picked this issue up at the supermarket a few days ago.
It's a fairly new magazine that's part of Mary Jane Butter's Farm enterprises.
If you love friendly quilt blogs, finding ways to live a simpler but more meaningful life, friendly, positive people and writing, you might want to look for this magazine.
This is the second issue I've found, and, as much as I love magazines, I was still surprised to realize that this was one in which I read almost every word and will undoubtedly reread it a few times!  Not often I find a magazine I enjoy that much or in which even the advertisements are new and interesting.
This one also contained a rather interesting article on treadle sewing machines. Fortunately, it used a machine I'm familiar with, so it didn't make me wish I could sew on that one too.  However, I'll admit that I'm really starting to long for a handcrank machine I could carry with me when I need to sew places other than home.

More of Blanche Potter Roberts' Tulip Quilt

But first, a photo of sleeping sweetness last week when she was home with that airborne virus.  When she saw the picture, she said, "Do you realize that when I was little, you took a picture of me sleeping under the same quilt?" I'd forgotten about that.  I think it also means I should try to do a little work on the quilts I've been dreaming of making for us ("dreaming" as in "aspiring").

And here are four pictures of Blanche Potter Roberts' Tulip quilt top now that it has triangles and borders.  I love the fact that the corners have varying types of triangles.--I also suspect that may have been the reason the top was never finished and quilted.  If so, that was the protective factor that has extended the life of the quilt and assured that it will be around to be enjoyed by at least a couple more generations of the Roberts Family.

I planned to get the backing pieced and and the quilt layered this weekend, but then I messed up one length of the backing and will have to fix it, so I folded it up to do later.

We were going to rejoice in the promise of at least a few hours of 50 degree F temperatures--but there are more winter storms headed our way!

More of Dolly's Baskets

Here's the quilt on the bed.  This set is intriguing but I'm not sure it can be easily seen by someone who doesn't know what it is.  I do hope that someday I can have a good place to take quilt pictures!

Next are some of the basket from the quilts done in each set of fabrics.

And here is as much of the center quartet of baskets as I could get:

A little more quilting detail:

And a couple of border closeups:

Now that I've had so much more experience quilting now, due in large part to all the Victory Quilts I've worked on, that I know that with the kinds of batting I use, I really don't need to do that incredibly heavy background quilting around the feathers.

The batting: In this quilt I used Warm 'n' Natural.  Nowadays I use Mountain Mist White Rose or Quilter's Dream

A Second Look at a Trio of Victory Quilts

First is Cowboy Boots for a young friend. It was created using my Nine-Patch Windmills pattern.

The second is Winter Wonders, which went to Larry Gallegos, who underwent his second round of neurosurgery a week ago and is recovering well. I thought I'd make a second one, then changed my mind and gave the rest of the yardage with the lovely winter pictures to another member of our prayer group.

The third is the Sanctuary prayer quilt made for my youngest brother.

I love the bird & fruit or orchard fabric in this quilt but hung onto it for over a year before I figured out how to use it.  The triangles in the sawtooth border are made from the "excess" triangles I trimmed from the star points.  I hope Thomas finds it comforting.

Today I'm quilting an absolutely wonderful "Flower Shop" quilt made by Judy.  I'll try to show pictures of it later in the week.

Decades in the Making!

I just finished the binding on a quilt that was decades in the making.
When I was about ten, my mom pulled out a basket quilt made by my maternal grandmother, Dolly (Dora) Maude Shreve Scheer sometime before her death in 1932.  Grandma's quilt was of solid violet pieced baskets on a solid white "Cloth of Gold" background.  My parents wore out that quilt; it eventually became a mattress pad and, undoubtedly, went on to become other things too.
I loved that quilt and determined that when I grew up and made quilts, I would make a violet basket quilt too.
When I get a chance, I'll take a better picture of this quilt, even if I have to put it on a bed to do it!
Because Dolly's quilt has been only a memory for several decades, this one had other sources of inspiration too.
The set is from a Crown of Thorns quilt made by a Mennonite quilter in Kansas that I saw back in the early 1980's.  I began collecting fabrics for this quilt in 1992--the first piece was purchased at Ben Franklin in Prescott, AZ.  I finally began piecing it in 2002.  I thought it would be finished in 2007--in fact, that date has even been added to the quilt.  But I just finished putting on the binding today!  So, it was a long, long time in the making!
I applied the binding with my Singer 66 Redhead treadle late yesterday afternoon.
I hope the belief that sleeping under a new quilt brings the sleepers good fortune proves to be true.  Whether or not it's true, sleeping under this quilt will be a joy!
More pictures later.......

Post script: I’ve since learned that my grandma Dolly’s middle name may have been spelled “Maud,” and when she died in 1931, my dad was just over a couple of months of turning ten. He always told us he was eight at the time, but that could have been when she received her cancer diagnosis, and it may well have seemed to him that his life was on hold. I do know my grandpa was devastated and frustrated because she refused medical treatment because she had embraced Christian Science.

A Wonderful Bird House Quilt

No pictures because this post isn't about one of my quilts, and I don't feel it's ethical to swipe a picture from someone elses site; it's about a wonderful quilt pattern that is a true breath of spring for those of us eager for the real thing.
One of my good friends has fallen in love with it.
You can see a large picture here:
http://ep.yimg.com/ca/I/quiltcompany_2075_6026
The quilt was designed by Arlene Stamper and her daughter Melissa and is available at their website:
http://www.quiltcompany.com/index.html
There are six parts to this pattern so the parts can be purchased separately or in a bundle.

I'm not affiliated with this company in any way.
My friend just fell in love with the design, and I offered to look for it since she doesn't use a computer.
I hope it feels like a breath of spring for everyone who visits Arlene and Melissa's website.

The Quilt Company does lovely, charming, comfortable designs; it occurs to me that others might be interested as well.

Results of Friday Night Sew In

This is what I accomplished last night.  (And still got to bed a bit after 9:00.)

It's a small quilt with nine rows of twelve tumblers pieced by Judy from wonderful collections of "flower-dee" prints--it will be perfect for someone resting in her favorite chair.

Here's a detail of Judy's Tumbler Quilt.  It's for our prayer quilt ministry, Victory Quilts.
If this group ever gets tired of all my feathers and ribbons, I will be in big trouble!

Today we're meeting at our church for several hours to work on more quilts.  I'll be cutting, piecing, and layering, so I can get by with a nice light-weight sewing machine rather than the much heavier one I use for quilting.

Check out the links to other people's Friday Night Sewing accomplishments on Heidi's blog:
http://www.handmadebyheidi.blogspot.com/

I'm Going to Quilt as Part of the Friday Night Sew In

This is what I'm going to do.  Check it out!

http://www.handmadebyheidi.blogspot.com/

http://handmadebyheidi.blogspot.com/2010/01/tonights-night.html

I'll have to use another machine because this one isn't ready to try quilting yet.

Tomorrow, I'll post what I accomplish  tonight!

Promise and Hope

The identity of the maker of this double wedding ring quilt top has been lost, although we know she was in Ohio and was a distant relative of my friend Bobbie. 
When I see quilt tops like this, I always wonder how isolated their makers were, since clearly they needed support and nurturing to acquire the skills needed for a design this complex.  To complicate matters further, someone who received this top decided it would be a good idea to clean it was in need of laundering and that that task would bet be accomplished in a washing machine.  Bad, bad idea!!!
Bobbie's mom owned this quilt top--possibly a gift from the person who made it, possibly after having been passed along through several relatives. Bobbie's mom passed away after a short illness last year; being well acquainted with grief, I agreed to work on this, although I didn't promise to meet any certain completion date.  Since it's been around for years and years already, however slowly I work on it, I'll enjoy connecting with times past and the seamstress who dedicated so many hours to something she must have loved creating, however imperfect.
Some of  the tiny pieces of fabric have fallen apart, so I said I'd replace the arcs where needed, but I'll do so with a single piece of reproduction fabric so she'll know what was replaced.
I really thought there would be plenty of 30's reproduction fat quarters available in the few quilt shops we have here, but I was wrong. I hope the pieces of fabric near the top of the picture will do the trick.
I need to get to work on this--it will give me a focus to distract myself from the dark cold of January!

Longing for Spring

Every day I am grateful to be able to wake up in a warm house, to be able to come home from a hard day's work to a warm house, not to have buy, chop or carry in wood or carry out the ashes.  Still, I'm so hypothyroid that winter invariably seems not only dark, but also long and cold. If my little house were a little bigger, I'd be forcing tulip bulbs in every room.
I'm trying to discipline myself to work on some that have already been around for over 50 years.
This quilt top was pieced by my niece's paternal grandmother, who, like my own paternal grandmother, died decades before our births.  I know Grandma Roberts was older when she married and died when her only son was only six or seven.  Her widower passed away a couple of years later.
I love this quilt top, not only for the great variety of fabrics in the tulips, relentlessly blooming in perfectly spaced rows, but also for the fact that she appliqued these by machine and then went back and applied buttonhole stitch with black embroidery floss along every edge.  I'm sure this must be the result of evening stitching for much more than one cold winter. And I do remember how in the area where she lived there was so much snow that it was not uncommon for the depth of snow on the sides of the plowed roads to be greater than the height of the school buses!
This quilt has no border, but I'm going to add one or two from a couple of reproduction fabrics so it will be big enough for my niece's bed.  I've yet to decide how to quilt these blocks to best advantage.
These lovely rows of tulips speak not only of the promise of this spring but of the springs of the last fifty or sixty years--even the ones they never saw because someone had shut them away in a box somewhere.

Things That Inspire and Comfort

 

I love white bed linens.  Of course, I also love pastel bed linens...and printed bed linens...and warm flannel bed linens...the latter, especially on the cold nights we've been having lately.  Recently someone told me she has found a beautiful vintage pillowcase with lovely, wide hand crocheted lace, but the she would probably never actually use it because she had only one.

I confess, having only one seldom stops me from using them, if they are not too fragile to be used. But I always hope nothing ugly happens to them while they are being used.

I found these on closeout at TJMaxx or Marshall's or a similar place a few months ago.  I'm so glad that someone in the world of  design and marketing had enough appreciation for the past to bring these to the marketplace, even if the decoration is just a piece of machine embroidered ribbon.  They bring me a comfort beyond anything rational.

This is the 1919 Singer Redeye treadle I purchased at the end of November and have been cleaning and working on ever since.  I had no success finding the Orange Oil cleaning solution or the orange oil and beeswax polish that others assure me are carried by antique stores everywhere.  I finally went to the Amish Collection furnishing store in Albuquerque and purchased a wood cleaner and lemon and beeswax polish from them.

While working on this machine, I'd begun to wonder if the woman who owned had wanted a new electric machine and at some point messed with every tension control until it would no longer sew.  Then I remembered how the Singer salesperson/repair person had messed with my mother's WWII era Singer until it would no longer sew, told her the gears were worn out, and that she'd just have to get a new machine, a Touch and Sew.  (A couple of Viking dealers told me the same thing about my 1974 Viking.)

In any case, this Redeye is sewing once again, and the wood, while it is too damaged to ever be near perfect again, is being fed and nurtured once more.

In return, this machine is encouraging me to dream more dreams of more quilt tops yet to be created.

Ruth's Scripture Quilt

Ruth pieced this from a kit.  She began quilting it, but was unsure how to finish, so I offered to do it.  It was a good experience for me because I was able to create some new quilting designs.  You may be able to see some of them more clearly if you right click and open the photo in a new tab or window.

It reminded me of the second full-size quilt I finished 30 years ago, a rail fence in dark blue, light blue, and beige Wamsutta calicoes.  While I was handquilting that one, I was at my sister's house in Tennessee, and her four- or five- year old son Greg was into "Spidee Man" big time.  Many a time I would stand up to take a break from quilting and find myself totally ensnared in elaborate string spider webs!
About 20 years ago I agreed to sell that quilt to a neighbor in Gallup.  Seven years later I walked into an antique shop in Gallup and found the quilt on sale for $15!  I did not buy it back!

Songs by Alpha Cleary

Alpha Patton Cleary was my piano teacher when I was a child.  I started this quilt in a workshop I took with members of my quilt guild when I lived in Gallup, New Mexico.  I thought I'd send it to Mrs. Cleary when it was finished.  That was about 20 years ago.  I was handquilting it on a frame.  It went through at least five moves wrapped around the poles of the frame.  I worked on it periodically, but I never managed to get it completed and off the frame.  Mrs. Cleary died (well past the age of 100), and I just let the quilt remain on the frame.
Sometime last year I decided I really needed to finish it; so the rest of it was quilted on the machine.
I couldn't find any fabric in my stash that would work for the binding, despite the fact that I have plenty of fabric from the same era as the fabric in the quilt, so Judy (of the Dresden Plates and many other quilts) took the quilt, rounded the corners (because she doesn't like applying binding to square corners), and finished it for me.  It will now go to someone needing prayers for healing.

Alpha Patton Cleary was the daughter of the dentist in El Paso, Illinois.  She was an extremely gifted pianist.  When she was quite young, her parents allowed her to take the train from El Paso to Peoria thirty miles away to study with a special piano teacher.  Later they allowed her to join a vaudeville company.  She was in her sixties when my sister and I took lessons from her; we enjoyed her tales of vaudeville at least as much as our lessons!  When her husband retired from Pfister Hybrids, they moved to Sunnyvale, CA to be near one of her daughters, and the parents of one of my classmates bought their beautiful home on Elmwood Court. Her last years were spent back in Illinois as a resident of the Meadows Mennonite Home. I got to revisit the home a few years ago because one of my closest high school friends owned the home, which they've since sold. I have so many precious memories of the living room in that house, Mrs. Cleary's beautiful ebony grand piano, and the intriguing chaise lounge that sat near it.

Mrs. Cleary taught scores of young people to play the piano.  Her legacy lives on.

A White Wholecloth With a Pink Inner Border

I don't have a picture of the whole quilt because it looked like a white rectangle.  However, here are a couple of photos of the details.

I've wanted to do a white-on-white for years, but except for several pillows done years ago, this was the first.  Then I used almost no white thread.  I used a variety of Fil-Tec Glide pastel thread colors.

I think the only marking I did was to sketch in lines for the arcs and a small circle in the center of the quilt.

This prayer quilt was for a friend who was scheduled for surgery in mid December.  Then her surgery was moved up a week, so there was no time to finish the quilt before her surgery, so she was given another.

I wonder who will receive this one.

Post Script: A few months later her teenage daughter had to have surgery for retinas that were detaching, and she received the quilt that had been intended for her mom.  She was delighted to have it for all those weeks she had to lie face down--and a few months later she had the same surgery on her other eye.  Isn't it amazing how God blesses us?!

Undersea Christmas

This was a quilt top made by Ruth, who then said she didn't know how to quilt it, so I offered. I don't know that she had chosen a name for it.  Undersea Christmas is my name for it because that's what it reminded me of.

 Here are a couple of shots of the details of the quilting.

 

 

I hope someone finds it comforting.

Another Dresden

This is another Dresden Plate pieced by Judy. Until I saw it Sunday when we dedicated nearly 40 quilts, I'd pretty much forgotten I'd quilted it.  The fabrics are from a Moda collection by Mary Engelbrite.

I learn so much by quilting something that has another member of our group stumped.  Of course, I think they know quite well that if they ask me to quilt something, it will probably be filled with feathers!
This quilt reminds me of the hard candy lollipops with looped cord handles that our Grandpa used to bring us from town.

More Sanctuary

I'm going to try to share some of the quilting details of my brother's prayer quilt, "Sanctuary."

It was difficult to decide what quilting designs and threads to use on this quilt.  I am so very partial to feathers and curls and frills.  I did settle for just outlining the sawtooth triangles in the border, but almost everything else has plenty of feathers and curls!

For much of the quilt I used a Fil-Tec gold, but I also used a holographic gold film thread, a mossy green rayon, a lime green poly in the border, and a Rainbows variegated green in the large bird and fruit squares in the center of the sawtooth stars.

Although it is difficult to see in the smaller pictures, the background fabric is printed with gold metallic dragonflies. Although it looks like a variety of batiks were used, there were only two; because of the way the fabrics were dyed, it looks as if there were quite a few different batiks used in the sawtooth border triangles.

I just love the detail in the bird print; it is a true work of art.

Winter Wonders

I also completed a prayer quilt for Larry Gallegos who will undergo another round of neurosurgery next week.





He claimed to have no favorite colors and thought maybe "neutral" would work. I don't know what neutral means--I think it can proably mean something different to every person using the term. I did find out that he likes to hunt--but I could find no hunting fabric. Outdoors in winter will do, I believe.

With this quilt I learned very quickly that when I do log cabin blocks, I need to use a base fabric. These blocks are eight inches finished, so it needed several borders and some connecting blocks.